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Sunday, December 11, 2016
'The Walking Dead' and Machiavelli
Anybody who has been paying attention should understand the zombie apocalypse was just the catalyst for the breakdown of society. It could have been a plague, a nuclear war.... Over these 7 seasons, zombies have increasingly become background; the real drama is human. It is the drama of the survivors after civilized society has shattered. (And I hope everybody realizes that the "walking dead" refers not only to the zombies, but also the survivors who are still walking. As Louis C.K. put it, we'll all spend way, way more time dead than alive.)
I'm a political science major. So the last few seasons of The Walking Dead for me have been the best. I know a lot of fans miss the first few seasons, when survivors were frantically scavenging and trying to survive the hordes of zombies. Then they figured out how to do that, and pretty well I might add. What they still haven't figured out how to do is survive other survivors.
My thesis is that The Walking Dead is a meditation on the nature of human civilization. What the survivors are trying to do is basically run through the last few millennia of human civilization in just a few years in order to survive, an erstwhile civilization that developed on outwardly growing circles of human association, like tree rings: first family, then clan, tribe, groups of tribes, nation, nation-state, country, and global citizenship.
In the real world, our human civilization is located somewhere between country and global citizenship. I've posted before about Jeremy Rifkin's empathy thesis and what it will take for us to become a global citizenry....
In TWD, all of that development has been deleted. We're back to the start. But even worse this time, most families have been destroyed, so the first and most basic human connection has been severed. The protagonists in TWD make do by making their closest fellow survivors a kind of surrogate family. Rick's family has started over the first few seasons to extend into a clan or tribe... And that's about as far as civilization has progressed from the ashes.
So enter Negan. What would Machiavelli say about Negan? What would he advise Negan to do? Probably, "Be yourself." There is really no viable alternative in the TWD world.
Where I predict the story arc goes -- and I haven't read the TWD comics, so I may be way off -- is that the threat of Negan is the catalyst to unite the disunited tribes in the vicinity, who will ultimately rise up against him in victory. But without Negan, those tribes would have warred, traded suspiciously, or avoided one another for a very long time. In a way, Negan is both an inevitability and a blessing to accelerate the rebirth of human civilization. If there were no Negan, another Negan would have arisen in his place.
But imagine Negan will be victorious in his parochial neck of the American woods. We still have Fear the Walking Dead on the west coast. Surely we have other Negans or Ricks in the U.S. south, midwest, northeast, etc. Eventually these groups -- call them tribes or more likely nations -- would develop, expand and encounter one another and be forced to adopt a policy of fight, trade and cooperate, or live and let live. This takes us back to a period of human history before Christ.
Violence, conquest, slavery and exploitation were integral parts of human pre-history described vividly in the Old Testament. TWD is about reliving all of those stages of human history in fast-forward speed. I find it fascinating and can't wait to see how it all turns out. In TWD, humans are the stars of civilization in rebirth, even as the survivors are surrounded by the (much less deadly) walking dead in the background.
So, for fans who miss the first few seasons, please understand that it couldn't have turned out any other way. Negan had to happen. And -- without moral judgment -- Negan is not necessarily a bad guy, considering all of the Negans in human history who united disunited, warring peoples and gave them some kind of security, and allowed some measure of human society to flourish -- including science, the arts, literature, and so on.
We aren't the heirs of just Socrates, Plato, Locke and the Founding Fathers, we're also the heirs of Alexander the Great, Julius Ceaser, Genghis Khan and Napoleon. Don't knock Negan: the post-apocalyptic world needs him for now.
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One may point out that the development of human civilization today isn't congruent. In some parts of the world, like the Amazon or even Afghanistan, clan or tribe is still the dominant phase of human development. Thanks to globalization and the developed world's competition for resource dominance, those societies have come into increasing contact with the globalized, neoliberal, Western world. This incongruence inevitably leads to conflict. Yet this isn't a clash of civilizations; it is a clash of different levels of development.
Let's not confuse this clash with the clash created by refugee migrations caused by civil war, conventional war, or drug wars, as in Central and South America. Iraq and Syria were, until recently, fairly developed countries economically with stable political systems, albeit undemocratic. There war and the collapse of civil order pushed civilization back to association by tribe (based on religious sect); but sectarian or tribal conflict was a result, not a cause, of those conflicts and refugee crises. Just look at Aleppo today, where thousands of Syrians want to stay in their homes rather than become refugees despite merciless war crimes comritted against them. They are being forced of their homes at the point of a gun.
In no way am I endorsing or even justifying the xenophobia of the Geert Wilders or Donald Trumps of the world. Indeed, those populist demagogues are not only attacking "the other" in places like Syria but also peaceful citizens and residents of their own respective countries, most of whom have been living peacefully and productively in those countries for decades. They are being scapegoated.
Friday, June 21, 2013
Scalia: Our 'morphing' undead Constitution
Monday, March 11, 2013
The socio-economics of zombies
I don't have any evidence yet to back this up, but I think there is definitely a connection between economic and social upheaval and interest in the zombie apocalypse.
Thursday, February 14, 2013
A well-run government has the leisure to debate zombies
So on the whole I still give Canada's parliament the edge.
Monday, December 31, 2012
NRA's latest lie: More silencers keep us safe
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| Got flashlight? Got silencer. |
Saturday, December 15, 2012
What a 'real' zombie apocalypse would require
Wednesday, December 5, 2012
Hard to classify
Monday, October 29, 2012
USG finally getting serious about zombies
"This is a very real exercise, this is not some type of big costume party," said Brad Barker, president of Halo Corp, a security firm hosting the Oct. 31 training demonstration during the summit at a 44-acre Paradise Point Resort island on a San Diego bay. "Everything that will be simulated at this event has already happened, it just hasn't happened all at once on the same night. But the training is very real, it just happens to be the bad guys we're having a little fun with."Hundreds of military, law enforcement and medical personnel will observe the Hollywood-style production of a zombie attack as part of their emergency response training.
Friday, February 10, 2012
Essay: Why is the end of the world so American?






Sunday, January 15, 2012
Reuters: 'Zombie banks' try to fool markets to delay inevitable
Monday, September 12, 2011
'Tea Party Zombies Must Die' is wholesome American fun


Monday, May 23, 2011
CDC on preparing for zombie apocalypse

Wednesday, February 16, 2011
Liberal-effete NPR: Renegade robots the only modern Myth?

February 16, 2011 | NPR
Saturday, January 15, 2011
Pre-Tea Party dead conservatives decide to donate
Friday, November 27, 2009
Reagan not Reagany enough for pro-Reagan RNC?


- "Where's the Reagan?"
- "A Reagan is forever."
- "Obama: The un-Reagan."
- "Got Reagan?"
- "Think outside the Reagan."
- "They're R-r-r-eagan!"
- "The few, the proud, the Reagans. (Except Ron, Jr.)"
- "Yo quiero Reagan."
- "We make Reagan the old-fashioned way -- We Reagan it."
- "Don't get mad. Get Reagan."
- "(Reagan) Lifts and separates."
- "Get a piece of the Reagan."
- "Leave the Reagan-ing to us."
- "Reagans wanted."
- "(Reagan) The king of presidents."
- "When it absolutely, positively has to be Reagan."
- "Once you Reagan, you can't stop."
- "Did somebody say Reagan?"
- "It's not your father's Reagan."
- "Reagan's number two; he tries harder."
- "Is it live, or is it Reagan?"
- "I'm Reagan, and I can't get up!"

"Republican solidarity in opposition to Obama's socialist agenda is necessary to preserve the security of our country, our economic and political freedoms, and our way of life."
WHEREAS, the Republican National Committee shares President Ronald Reagan's belief that the Republican Party should espouse conservative principles and public policies and welcome persons of diverse views; and WHEREAS, the Republican National Committee desires to implement President Reagan's Unity Principle for Support of Candidates; and WHEREAS, in addition to supporting candidates, the Republican National Committee provides financial support for Republican state and local parties for party building and federal election activities, which benefits all candidates and is not affected by this resolution; and THEREFORE BE IT RESOLVED, that the Republican National Committee identifies ten (10) key public policy positions for the 2010 election cycle, which the Republican National Committee expects its public officials and candidates to support: (1) We support smaller government, smaller national debt, lower deficits and lower taxes by opposing bills like Obama's "stimulus" bill; (2) We support market-based health care reform and oppose Obama-style government run healthcare; (3) We support market-based energy reforms by opposing cap and trade legislation; (4) We support workers' right to secret ballot by opposing card check; (5) We support legal immigration and assimilation into American society by opposing amnesty for illegal immigrants; (6) We support victory in Iraq and Afghanistan by supporting military-recommended troop surges; (7) We support containment of Iran and North Korea, particularly effective action to eliminate their nuclear weapons threat; (8) We support retention of the Defense of Marriage Act; (9) We support protecting the lives of vulnerable persons by opposing health care rationing, denial of health care and government funding of abortion; and (10) We support the right to keep and bear arms by opposing government restrictions on gun ownership; and be further RESOLVED, that a candidate who disagrees with three or more of the above stated public policy positions of the Republican National Committee, as identified by the voting record, public statements and/or signed questionnaire of the candidate, shall not be eligible for financial support and endorsement by the Republican National Committee; and be further RESOLVED, that upon the approval of this resolution the Republican National Committee shall deliver a copy of this resolution to each of Republican members of Congress, all Republican candidates for Congress, as they become known, and to each Republican state and territorial party office.
Of course it is true that Reagan, like John Kerry, was for some ideas before he was against them.
Friday, October 9, 2009
Sirota: America is zombie-crazy!
By David Sirota
October 9, 2009 Creators.com
What's with all the zombies lately?
That could be a question about one of the hippest retro fads that pop culture has going these days. Inspired by horror genres of past, zombies have lurched back to pre-eminence in books like "World War Z," video games like "Left 4 Dead" and blockbuster films like "Zombieland." Even the highbrow producers at National Public Radio recently devoted a segment to a University of Ottawa study entitled "Mathematical Modeling of An Outbreak of Zombie Infection." Indeed, the undead have become so popular, they've spurred "zombie walks" in cities and spawned Weird Al-ish parodies through Jane Austen knock-offs like "Pride and Prejudice and Zombies" and bands such as the Zombeatles (with their hit "Hard Day's Night of the Living Dead").
Frighteningly enough, though, that question about zombies could also be asked of America's political culture.
It was only a year ago that "zombie" first entered the colloquial economic lexicon during the collapse of the financial institutions that were cannibalizing the economy. From a balance-sheet perspective, many of these firms were dead. But they were quickly reanimated as zombie banks with trillions of taxpayer dollars.
Like a typical zombie outbreak, the initial plague spread.
On Wall Street, we have zombie executives — those who destroyed the economy but nonetheless kept their same jobs and now continue paying themselves huge bonuses. At the White House, President Obama hired zombie advisers whose zombie economic ideologies and records manufacturing recession conditions should have killed their careers, but who now sit in high government office letting out moans in support of the zombie banks.
On Capitol Hill, the scene this Halloween season looks like Michael Jackson's "Thriller" video. Decrepit zombie politicians with the funk of 40,000 years stalk Congress with the very zombie lobbyists that the election was said to disempower.
Lately, they are working in tandem to construct zombie health insurance companies — for-profit corporations eternalized by public subsidies, customer mandates and almost no regulation or competition. At the same time, wars in Iraq and Afghanistan that should have already concluded keep plodding on with an unchanging zombie strategy — all while media zombies push zombie myths about death panels and birth certificates, effectively feasting on the last functioning lobes of the American brain.
Call me a zombie pundit, but I agree with "World War Z" author Max Brooks' suggestion that the concurrent rise of zombie pop and political cultures is no coincidence.
"Zombies are an apocalyptic threat, we are living in times of apocalyptic anxiety (and) we need a vessel in which to coalesce those anxieties," he says.
In fact, I'll go out on a severed limb and take it further: If zombies specifically represent the apocalyptic downsides of immortalized mindlessness, then today's zombie zeitgeist is not merely a result of scary quandaries created by stupidity. It is a reaction to both those problems and the sense that they can never be thwarted.
Here we are, a year after a financial implosion that should have driven a stake in the heart of free market fundamentalism. Here we are, a year after an election that was supposed to pour holy water on Wall Street vampires, exorcise the economy's demons and challenge the ancient mummies of neoconservative foreign policy. Yet here we are, with virtually nothing changed, watching the same zombie crises indomitably stumble forward.
And so what do we do? We flee to entertainment venues that let us enjoy the campy thrill of confronting the undead — even though we've lost the ability to do that in real life.
"The zombie is a way for us to explore massive disasters in a safe way," Brooks says. "You can't shoot the financial meltdown in the head, but you can do that with a zombie."
Thursday, June 18, 2009
Liberal zombies and true humanism

I'm glad somebody finally wrote a political article about zombies. Zombies deserve their due. I gotta admit, I love zombie movies, (and zombie lit, like World War Z) even though they've ruined so many nights of my sleep. Indeed I like most post-apocalyptic films. Sure, they're full of guns, but I actually don't mind, because it would be silly to argue that we need the 2nd Amendment in case the undead storm our homes and office to devour our flesh. (Right?) Why I really like zombie movies is that humans show their true colors when faced with an unstoppable zombie horde. The loud macho guy turns out to be a whining pussy; the hysterical, frightened girl turns out to be a calm, dead-eye shot when it counts; the loyal husband turns out to be a selfish coward; the pious priest turns out to be faithless; the dried-up cynic turns out to have hidden reservoirs of faith; and sometimes, the decent, selfless and brave guy turns out to be decent, selfless and brave.
But then there's the zombie. There are no highbrow zombie movies or novels, and admitting you love them amounts to a declaration that your tastes are unrefined. In truth, zombies should be boring. There are only so many things you can do with them, narratively speaking. They can't charm you, like vampires, or make you pity them as they relate their torment while in human form, like werewolves. They clumsily lope after you, hoping to feast on your flesh, and they have almost no personality as individuals. Instead, zombie mobs are just an undifferentiated mass of malevolence. What's remarkable is that a villain with such little complexity has thrived for so long.
And "thrive" does not begin to describe the status of the contemporary zombie. They've come a long way from their roots in stories of Haitian voodoo masters using magical powder to enslave unfortunate souls. Consider some recent developments: One of the big publishing hits this year is Seth Grahame-Smith's refashioning of Jane Austen's classic novel, Pride and Prejudice and Zombies. Later this month, Chicago will host its first ever Zombie-Con. The New York Times' Paul Krugman is obviously a secret zombie-phile; his blog contains multiple references to zombies. There are too many zombie comic books to list. Increasingly, we're seeing "zombie" used as an adjective in a widening variety of contexts, from "zombie banks" to "zombie computers" to "zombie ideas."
At the center of this cultural juggernaut of the undead, are the films. Zombie movies have been around almost as long as there have been movies. While some scholars point to the 1919 silent German film The Cabinet of Dr. Caligari as the first zombie film (the zombie in question was actually a hypnotized mental patient), the first mainstream zombie picture was probably White Zombie (1932), starring Bela Lugosi. For the aficionado, though, the truly seminal zombie film is George Romero's low-budget 1968 masterpiece, Night of the Living Dead. Before that film, zombies were usually employed as slave labor, guided by the master who had created them. Romero reimagined them as a mob whose purpose was to destroy and assimilate all living humans. And to eat brains.
Although previous efforts certainly referenced current events (for example, the first film in the Nazi zombie subgenre, Revenge of the Zombies, was released in 1943, while World War II was still going on), Romero's films set observers looking for political themes amid the brain-eating. When Night of the Living Dead was released, many saw it as a metaphor for the Vietnam War or domestic social upheaval. Perhaps most notably, its male lead, Duane Jones, was black, a rare casting decision at the time. In interviews, Romero insists he was not trying to make a point about race. "We cast an African American actor because he was the best actor from among our friends," Romero said in 2008. "And when we finished the film, literally as we were driving it to New York in the trunk of a car, that was the night Martin Luther King was assassinated." Jones' character is shot at the film's end by a group of vigilantes who mistake him for a zombie. Romero's sequels became much more explicit in their societal critique; in Dawn of the Dead, the zombies mindlessly wander around a shopping mall, as if repeating the essential activity of their former lives.
But most people who love a good zombie romp aren't too interested in political subtext -- they want to see arms being gnawed and large numbers of the undead blasted to kingdom come. And they've got more opportunities to feed their (OK, I'll admit it -- our) zombie jones than ever. Wikipedia contains a long list of zombie movies made since the 1930s, and if we turn that list into a graph, we see that the genre has exploded in the past decade. While there may be more films being produced overall, any way you slice it, if you're a zombie lover, this is the time to be alive.

So what's going on here? Why is our love of zombies only growing stronger?
In part, it's because the subject the zombie most directly addresses is so universal. For all the metaphoric possibilities zombies hold, at their most fundamental, they are death itself, pursuing us through the countryside. As Simon Pegg, the co-writer and star of the zombie homage/spoof Shaun of the Dead, recently wrote in the Guardian:
Zombies are our destiny writ large. Slow and steady in their approach, weak, clumsy, often absurd, the zombie relentlessly closes in, unstoppable, intractable.
Their ineptitude actually makes them avoidable, at least for a while. If you're careful, if you keep your wits about you, you can stave them off, even outstrip them -- much as we strive to outstrip death. Drink less, cut out red meat, exercise, practice safe sex; these are our shotguns, our cricket bats, our farmhouses, our shopping malls. However, none of these things fully insulates us from the creeping dread that something so witless, so elemental may yet catch us unawares -- the drunk driver, the cancer sleeping in the double helix, the legless ghoul dragging itself through the darkness towards our ankles.
Metaphors aside, one can't examine the zombie phenomenon without addressing the genre's extreme violence. A vampire movie involves lots of skulking around and a few bites here and there. A zombie movie, on the other hand, will inevitably feature buckets of blood and dozens of zombies dispatched in almost comically violent ways -- limbs severed and bodies torn asunder. And that's not even mentioning the cannibalism.
The particular nature of the genre's violence may lie at the heart of the contemporary appeal of zombies in films and especially in video games. Imagine an action movie in which the hero repeatedly put a shotgun to the head of actual human beings and pulled the trigger. Even if they were very bad people, as an audience we'd come to feel that the hero was a sadistic freak, whatever the nobility of his larger cause. But not so with zombies, who are visibly human, despite their lack of consciousness and life force.
And in video games, you move from observer to participant. You can chop off their arms, blow off their heads, and generally engage in the most vicious kinds of violence one can imagine, and it's OK because, hey, they're zombies. Yet unlike the games in which you are fighting aliens or robots, your victims look basically human. When you play a zombie game, you get to act like a psychopath without saying to yourself, "I really shouldn't be enjoying acting like a psychopath." The zombie game allows us to indulge our inner barbarian without self-doubt.
There's so much more we could discuss -- an entire book could be written on the unending dispute over the relative merits of fast zombies and slow zombies, for instance. But since TAP is a magazine about politics, we must ask this question: Apart from the extreme violence, is the zombie genre fundamentally liberal or conservative? Does its increasing popularity serve anyone's political ends?
While one can certainly use zombies to express all kinds of ideas, I would argue that at heart, the genre is a progressive one. It's true that fighting off the zombie horde requires plentiful firearms, no doubt pleasing Second Amendment advocates. And in a zombie movie, government tends to be either ineffectual or completely absent. On the other hand, when the zombie apocalypse comes, capitalism breaks down, too -- people aren't going to be exchanging money for goods and services; they're just going to break into the hardware store and grab what they need (and if you think your private health insurer is going to be paying claims for treatment of zombie bites, you're living in a dream world). But most important, what ensures survival in a zombie story are the progressive ideals of common cause and collective action. A small group of people from varying backgrounds are thrust together and find that they can transcend their differences of age, race, and gender (the typical band of survivors is a veritable United Nations of cultural diversity). They come to understand that if they're going to get out of this with their brains kept securely housed in their skulls and not travelling down some zombie's gullet, they've got to act as though they're all in it together. Surviving the tide of zombies requires community and mutual responsibility. What could be more progressive than that?




